![]() ![]() I removed the in and outstrokes on most glyphs and then added small connecting pieces that matches the preceding and following glyphs. With ligatures you block yourself in the end because you can’t replace glyphs anymore. This fits to my experience from the other fonts I’ve made. So you’re saying, better create heavy OT features and stylistic sets, then making ligatures. Now I’m at the point that I could need OpenType tips how to set this up.įor me the best thing to do was to create an double entry spreadsheet to “discover” the quantity of alternatives needed.ĭo you have an example of this ‘double entry spreadsheet’? I’m not sure if I know what you mean. So I’m trying to get this all together into one font family. An then there are the ligatures… Since all the glyphs are spread out between 12 fonts, you can never type a real consistent sentence, you need to stack them together by adding glyphs from one of the other fonts. The e alone has 12 alternative shapes, as does most other glyphs. In there are, and I counted them quickly, 1.770 glyphs. I’m now reworking a font family with a staggering 12 fonts. ![]()
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